Star Wars: Anthology: Han Solo, Comicus.it
lonewolf_10 |
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Divoratore di Mondi
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Snake Plissken |
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QUOTE (9913 @ Lunedì, 05-Feb-2018, 18:47) | I Guardiani della Galassia lontana lontana
Belli i poster disegnati |
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Neutron |
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Anti-Monitor
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l'atmosfera è quella giusta. il ritmo del trailer non mi ha fatto impazzire, avrei preferito una roba più frenetica e invece pare mooooolto old school (e non è per forza un male) se vedete, anche il falco si muove al ritmo dei primi SW , non è la nave supermegafiga che è nel VII niente piroette, niente supervirate... staremo a vedere. le voci sul protagonista non mi lasciano tranquillo. MA , da quel che si vede ha la faccia da schiaffi giusta.. sono fiducioso.
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JoeyJoeJoeJr.Shabadoo |
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Spirito con la Scure
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QUOTE (Neutron @ Martedì, 06-Feb-2018, 09:51) | l'atmosfera è quella giusta. il ritmo del trailer non mi ha fatto impazzire, avrei preferito una roba più frenetica e invece pare mooooolto old school (e non è per forza un male)
se vedete, anche il falco si muove al ritmo dei primi SW , non è la nave supermegafiga che è nel VII niente piroette, niente supervirate... staremo a vedere.
le voci sul protagonista non mi lasciano tranquillo. MA , da quel che si vede ha la faccia da schiaffi giusta..
sono fiducioso. |
Stessi dubbi sul protagonista che mi lascia un pò perplesso. Il trailer sembra effettivamente legato ai primi film, il falcon in primis.
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Snake Plissken |
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QUOTE (L'Ammiraglio @ Sabato, 10-Feb-2018, 17:32) | QUOTE (Neutron @ Martedì, 06-Feb-2018, 10:51) | le voci sul protagonista non mi lasciano tranquillo. |
Ma quelle sono palesemente cazzate, dai. Ha lavorato coi Coppola, con Woody Allen, coi Coen. Che "non sappia recitare" è palesemente una stronzata.
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a me i coen hanno detto un'altra cosa...
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Snake Plissken |
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con questa colonna sonora il trailer funziona meglio
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JoeyJoeJoeJr.Shabadoo |
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Spirito con la Scure
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QUOTE (Snake Plissken @ Domenica, 25-Feb-2018, 20:15) |
con questa colonna sonora il trailer funziona meglio |
Is that classical music? Yes, i believe it is. Comunque a quanto hanno detto il film sarà ambientato prima della serie tv Star Wars Rebels e di Rogue One, quindi va ad inserirsi dopo La Vendetta dei Sith. Più specificatamente va ad incastrarsi tra i romanzi Star Wars: Tarkin e Star Wars: Thrawn ed andrà a coprire un arco di sei anni nella vita di Han Solo.
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Peter Parker |
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Imperatrice spifferona
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Da The Vulture:
Vulture spoke to an actor who worked on Solo — for four months under the direction of Miller and Lord last year, and beginning in October with Howard — who provided a blow-by-blow. Although not one of the film’s marquee stars, this source was in a prime position to observe the directors’ contrasting on-set modi operandi. And according to his description, the production was divided into two distinct chapters: one disorganized and chaotic, the other controlled and efficient.
Vulture’s source, who declined to be identified because he is not authorized to publicly discuss the movie at this time, felt Lord and Miller were out of their depth, more cut out for light comedy — like The Lego Movie and 2012’s big-screen adaptation of 21 Jump Street, the movies for which the pair earned their reputation for delivering surprise hits — than the kind of big-budget, galaxy-questing action that Lucasfilm required.
To hear our source tell it, the main difference between the co-directors’ filmmaking style and Howard’s boiled down to efficiency. Where Lord and Miller would typically demand more than 30 takes of a given scene — seemingly unsure of what they wanted other than a delivery “different” from the last — Howard got the job done in no more than two or three takes. “Phil and Chris are good directors, but they weren’t prepared for Star Wars,” says our source. “After the 25th take, the actors are looking at each other like, ‘This is getting weird.’ [Lord and Miller] seemed a bit out of control. They definitely felt the pressure; with one of these movies, there are so many people on top of you all the time. The first assistant director was really experienced and had to step in to help them direct a lot of scenes.” (Joy Fehily, a spokesperson for Miller and Lord says: “This information is completely inaccurate,” but declined to cite specific inaccuracies. She also declined to make the directors available for an interview.)
Howard, on the other hand, has a journeyman’s filmography that stretches back to 1984, spanning comedy-romance (Splash), biographical dramas (Apollo 13, A Beautiful Mind, Frost/Nixon), and pulpy thrillers (The Da Vinci Code, Angels and Demons). And he impressed the beleaguered Solo production by working “really fast.” “When he came on, he took control and you could feel it,” the actor says. “He got respect immediately. He’s really confident. A really easy guy to work with.” Howard certainly needs to work fast. According to our insider, the director reshot a majority of Solo at London’s Pinewood Studios, and is now in post-production on the Disney studio lot in Burbank. Howard has been cagey about the “How much is his and how much is theirs?” aspect of the film that has stoked fan fascination. “[Of] course Phil and Chris’s fingerprints are all over the movie, given how much they put into it and the time they put into it,” he recently told EW.
Although Vulture’s source never saw Lucasfilm president Kathleen Kennedy openly quarreling with Lord and Miller, it became obvious their “find it in the editing bay” shooting style didn’t align with the studio’s vision just a month into production. In addition to shooting dozens of takes, which slowed the pace of filming, the two failed to compel the desired performance from their leading man. In March 2017 the studio took the nearly unprecedented move of hiring an acting coach to help star Alden Ehrenreich more convincingly channel Ford’s swashbuckling affect in the original three Star Wars movies. “Trying to mimic Harrison Ford is really tough,” our source says. “Lucasfilm wanted something very specific: copying someone else. Alden’s not a bad actor — just not good enough.”
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